This is Part VI of an ongoing series of posts based on the family album of Milton Goldsmith, so generously shared with me by his granddaughter Sue. See Part I, Part II, Part III, Part IV and Part V at the links.

Now that we have seen the pages Milton devoted to his maternal and paternal grandparents, we can turn our attention to those devoted to his parents, Abraham Goldsmith and Cecelia Adler.

First, there is this page:Although they are not labeled, the paired photographs at the bottom must be Cecelia Adler and Abraham Goldsmith. I know this because the photograph on the upper right is one I’ve seen before—I received it from my cousin Julian Reinheimer over a year ago,  labeled as Julian’s great-grandfather, Abraham Goldsmith. So I know that the upper photograph is Abraham, and he is certainly the same man as the man in the photograph at the lower right.

Abraham Goldsmith, courtesy of Julian Reinheimer

I also know that the woman on the left is Cecelia because Julian also sent me this photograph of his great-grandmother Cecelia, and she is the same woman as the woman on the left in the photograph above:

Cecelia Adler, courtesy of Julian Reinheimer

Could the two framed photographs be their wedding photographs?

Cecelia was only nineteen in 1858 when they married, Abraham was six years older or twenty-five. Somehow they look older than that in these photographs, but I am terrible at determining age in these old photographs when people dressed so formally and posed so stiffly without smiling. It’s obvious, however, that these two photographs were taken at the same studio and likely at the same time, given that the same table appears in both. I wonder if there was a date on the reverse, but it is not worth trying to remove the photograph from the album to check.

According to Milton, his grandfather Samuel Adler was not successful in business, but Cecelia certainly is dressed very well in this photograph and is wearing what appears to be a large cameo pendant, similar or perhaps the same as the one in the photograph I received from Julian, seen above. Was this taken after she married Abraham, who was in fact very successful in business? Which photograph appears to be earlier?

Cecelia Adler Goldsmith, courtesy of Sue Jacobson

Finally, there is the photograph labeled “The Homestead in Oberlistingen.” This must have been the house where Abraham and his family lived before he and almost all his siblings immigrated to the United States beginning in the 1840s. So who is the woman standing on the stairs in front of the house? My first hope was that this was Hinka Alexander Goldschmidt, my three-times great-grandmother and Abraham Goldsmith’s mother, Milton’s paternal grandmother.

But then I realized this could not be Hinka. She died in 1860. This looks like a casual snapshop, and thus not something that could have been taken in those early days of photography. In fact, according to the Smithsonian:

Photography emerged in the early 19th century, but well into the 1880s it was a difficult, ponderous thing to do. The reigning forms of photography recorded onto chemically treated plates and paper. Taking a picture required the subjects to sit still for a half minute or more—“torture,” as the social critic Walter Benjamin recalled. Families trooped into studios to get portraits taken, but they were a study in stiffness: everyone sitting ramrod straight, afraid to move—or even to change their expression—for fear of blurring the photo.….Things changed dramatically in 1888 when George Eastman introduced the Kodak camera. A small hand-held box, it cost only $25—about the price of a higher-end iPad in today’s money, which put it in the range of the well-off middle class. And it offered simplicity…

So much to my disappointment, I concluded that this was not Hinka, but some other woman posing on the front steps of what had been the Goldschmidt home in Oberlistingen.

Milton did not write much about Hinka, mentioning her only to say that several girls in the family were named for her (including my great-grandmother Hilda Katzenstein Schoenthal, who was the daughter of Eva Goldschmidt Katzenstein and granddaughter of Hinka Alexander Goldschmidt). Milton obviously never met his grandmother Hinka, who never left Germany and died a year before Milton was born. And unlike the heroic war stories passed down about his grandfather Seligmann Goldschmidt, there were likely no such stories shared about his grandmother. Like women of those times, her life was not in the public sphere, but in the home. So all we know about her is when she was born, who she married, what children were born to her and raised by her, and when she died.

It’s thus not surprising that my heart wanted that to be a photograph of Hinka standing in front of her home, but alas, my brain knew otherwise. I do, however, have this photograph or drawing of Hinka, provided by David Baron and Roger Cibella, who is also her descendant:

Hinka Alexander Goldschmidt. Courtesy of David Baron and Roger Cibella