Milton Goldsmith devoted the next three pages of his family album to himself and to his wife Sophie. The first page includes photographs and two biographies of Milton.
I wonder how they made this photograph of Milton taken from numerous angles—anyone know how they did this?
UPDATE! According to Ava Cohn, aka Sherlock Cohn the Photo Genealogist, these photographs were done with a folding mirror and were quite common. In fact, Ava shared another one as did another Facebook reader who saw my post.
I don’t know where this biography of Milton was published or when, though it was written no earlier than 1891 as it refers to the publication of his book, Rabbi and Priest, in that year. The biography also appears to have been written while he was still living and working in Philadelphia and before he moved to New York City and married Sophie Hyman in 1899. So it was written some time in the 1890s.
I would think that this photograph of Milton was taken about the same time as the publication of that biography, sometime in the 1890s when he was in his thirties:
This entry about him in Who’s Who was written many years later as it references some of his later publications, including his play, The Little Brother, which was published in 1918.
What I really love about this Who’s Who entry are the insights into Milton’s appearance and personality—that he had blue eyes, a fair complexion, and graying hair, that he was cheerful and optimistic, and that he was a moderate drinker and did not smoke. Most of the other biographical and professional information I had already gleaned from other sources. (There are a fair number of blog posts about Milton’s life and career, e.g., here, and here and here and here and here.)
Speaking of The Little Brother, the next page in Milton’s album is a copy of the program from a performance of that play in 1918:
I had previously written about this play and Tyrone Power’s starring role in it.
Finally, the third page compiled three reviews of a play (undated) in which Milton’s wife Sophie had an important role. The play, The Flight of the Duchess, by Henry Hanby Hay, was an adaptation of a “poetic romance” by Robert Browning and performed by the local Browning Society, a amateur group.
In the article on the left side of the page, the reviewer did not like either the play or the performers, but did praise Sophie’s acting, saying, “Mrs. Goldsmith’s reading of her lines was marked by a distinction and sense that had been welcomed in her associates….”
The second review, at the middle bottom of the page, was overall much kinder and also praised Sophie’s performance as “a striking piece of work.” And the third review, on the right side of the page, was more mixed, but again praised Sophie, saying that “The chief individual honors of performance fell to Mrs. Milton Goldsmith.”
These three pages about Milton and his wife Sophie are appropriate reminders of their many talents. Here is one final photograph of Milton, taken in 1941 when he was eighty years old:
This is Part XIII of an ongoing series of posts based on the family album of Milton Goldsmith, generously shared with me by his granddaughter Sue. See Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII , Part VIII, Part IX, Part X, Part XI and Part XII at the links.