In my earlier post, I wrote about the three sons of my great-great-aunt Rosalie Schoenthal and her husband Willy Heymann: Lionel, Walter, and Max. All three had left Germany and settled in Chicago by 1939.
The oldest brother, Lionel, had arrived first in the 1920s and had consistently reported on passenger manifests and census records that he worked as a hotel waiter. So I was quite surprised when I found this obituary written when Lionel died in November, 1966:
According to the obituary, Lionel Heymann had had a long and distinguished career as a photographer. The obituary states that he had retired in 1964 after 40 years as a photographer in Chicago, including 25 years as the photographer at the Blackstone Hotel. That is, although Lionel consistently listed his occupation as a waiter on various government forms, if the obituary is for the same man, he had been working as a photographer since 1924—in other words, since his very earliest days in Chicago.
But was this in fact the same Lionel Heymann? The name and age and residence in Chicago certainly made it seem so, but there were no named survivors in the obituary, just an unnamed sister living in Brazil. Could this be my cousin?
I then found a death notice for Lionel Heymann on the same date in the same paper that contained further information about his surviving family:
This obviously was my cousin, whose two sisters-in-law were named Frieda and Lucy (or Lucie). He was in fact the photographer described in the first obituary.
And he was not just a hotel photographer taking snapshots of guests. When I Googled his name and “photographer,” a number of links popped up, listing Lionel as an artist whose works are still being auctioned by various art houses, online and elsewhere. Lionel also wrote articles about photography and lectured frequently about the art of portrait photography. His works include portraits, nudes, architectural works, and highly stylized artistic photographs.
Here are two examples of the work done by Lionel Heymann; see the links above for others:
Why hadn’t Lionel claimed on the census records and World War II draft registration that he was a photographer? Why wouldn’t he have wanted to reveal that information? Was it just an avocation, not his livelihood? Did that change after the 1940s?
UPDATE: In the course of looking for a print of one of Lionel’s photographs to purchase (which I’ve not yet been able to locate), I found this bit of information about Lionel online, quoting from the catalog of the Sixteenth Detroit International Salon of Photography, Photographic Society of Detroit, Detroit Institute of Arts, 1947.
“Started photography as a hobby by joining Fort Dearborn Camera Club in Chicago in 1928. Started professionally January 1945, and conducts a portrait studio in Blackstone Hotel. Conducts a weekly photographic class on portrait and paper negative process. Associated professionally with a photographer in Detroit, 1937-38.”
This explains so much. First, it explains what Lionel was doing in Detroit when his brother Walter arrived in 1938. Second, it explains why Lionel did not list photography as his occupation on the 1930 or 1940 census or on his World War II draft registration.
The obituary and death notice not only revealed that Lionel was a well-known photographer, but also provided more clues about his family. First, who was this sister in the death notice named Henny Mosbach Rothschild? And was she the one described as living in Brazil in the obituary? And second, who was the nephew named Robert Heyman?
Since only one of Lionel’s brothers had had a child, I assume that this had to be Klaus Heymann, the son of Lionel’s brother Max. Unfortunately, I’ve not been able to yet find out more about Klaus Heymann/Robert Heyman, but I have requested the military records of a Klaus Robert Heymann from the national archives and hope that those records will relate to my cousin. If so, I will provide an update.
As for the sister named Henny Mosbach Rothschild, I will address her in my next post.