This is Part X of an ongoing series of posts based on the family album of Milton Goldsmith, so generously shared with me by his granddaughter Sue. See Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII , Part VIII, and Part IX at the links.
This is by far the sweetest and saddest page in Milton Goldsmith’s album, a page dedicated to his beloved mother, Cecelia Adler Goldsmith, who died in 1874 when Milton was thirteen years old:
It reads:
Our beloved Mother, who alas, passed away too early and whose death brought not only sorrow, but all kinds of misfortune.
She was the only child of Samuel and Sarah Adler, was born in Germany, but arrived in Philadelphia at the age of one year. She grew to womanhood, a very beautiful girl;- rather short in stature, round in figure, a head of brown ringlets, – a belle among the Jewesses of her day and circle. She had many admirers. Father proposed to her over a plate of ice-cream on “Simchas Torah”, a Jewish holiday. It was in every way a “Love-match” which was only terminated at her death. She died of peritonitis, which to-day would be called Apendicitis [sic]. A perfect wife, – a wonderful mother, – A woman whose children call her blessed.
She died Nov. 8th 1874, at the age of 35 years. I was 13 at the time of her death, the oldest of six children.
It’s interesting to read what Milton thought was the cause of his mother’s death, which conflicts with her death certificate. According to the death certificate, she died from apoplexia nervosa:

“Pennsylvania, Philadelphia City Death Certificates, 1803-1915,” database with images, FamilySearch (https://familysearch.org/ark:/61903/3:1:S3HT-69HW-K75?cc=1320976&wc=9F52-L29%3A1073307201 : 16 May 2014), 004010206 > image 874 of 1214; Philadelphia City Archives and Historical Society of Pennsylvania, Philadelphia.
In the upper left corner, Milton inserted a piece of Cecelia’s wedding veil:
In the lower right corner, he inserted a piece of fabric from one of her ball gowns.
What a sweet and sentimental thing for a son to do. How devastated he and his father and siblings must have been when Cecelia died.
Milton created a very touching tribute to his mother who died at such a young age. A very precious page indeed in the Goldsmith family album!
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Thanks, Peter!
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Oh my, that is absolutely beautiful. How long after her death did he write this?
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That’s a good question, Debi. He was 13 when she died, but I believe he put together the album as an adult, given some of the later contents. So I would say long after his mother died. Exactly when is hard to say, but certainly after 1908 when his stepmother Frances died. He would have been in his 40s by then or even 50. He was almost 100 when he died in 1957 so it could have been anywhere in between 1908 and 1957!
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Everything about this album is so precious. Milton was an amazingly creative and sensitive man. I am so taken by every posting from this album.
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I am also, Sharon!
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Those fabric scraps most have been precious mementos to Milton and his siblings.
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Yes, it gave me the chills to see those.
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It is lovely. Do you know how old Milton was when he created the page? I’ve never seen the term apoplexia nervosa — is it what we’d call a stroke?
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I don’t know, but I think that it was when he was an adult given the overall contents of the album. Anywhere between 1908 and 1957!
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Oh, and yes—that was an old-fashioned term for a stroke.
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Milton was very in tune with his emotions. Saving a piece of his. Mother’s gown and veil were ways to keep a tangible connection to her. This reminds me of the 19th century custom where a lock of hair from the departed was saved and kept inside a locket. Thete is also a quality in his albums that reminds me of scrapbooking.
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It is such a sentimental thing to do. We have a lock of our daughters’ hair in their baby albums.
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Wow. And to link his mother’s death to future misfortune. But then when someone dies young, we wonder what would have been. A beautiful tribute with the piece of veil and dress!
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I assume he was referring to his father’s later medical and financial problems and the death of his sister Emily.
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Just sad for that.
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Very.
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Those fabric swatches are very special! Wow. So did you blog before about her cause of death? What is that nervosa thing anyway?
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Yes, I did. https://brotmanblog.com/2018/03/20/my-three-times-great-uncle-abraham-goldsmith-a-bursting-bubble/
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I thought I remembered something. Warning: my memory has been very shady lately.
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It was quite a while ago—I doubt anyone would remember a blog post from someone else’s blog that specifically!
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I remember her, though, and knew that the subject of her death had to come up.
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I am impressed! 🙂
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Pingback: Milton Goldsmith’s Family Album, Part XI: Tributes to His Father Abraham | Brotmanblog: A Family Journey
Pingback: Milton Goldsmith’s Family Album, Part XII: The Mystery of His Stepmother Francis | Brotmanblog: A Family Journey
Pingback: Milton’s Family Album, Part XIII: The Creative Talent of Milton Goldsmith Himself | Brotmanblog: A Family Journey
Pingback: Milton’s Family Album, Part XIV: Teasing His Little Brother | Brotmanblog: A Family Journey
Pingback: Milton Goldsmith’s Family Album, Part XV: Childhood Memories | Brotmanblog: A Family Journey
Pingback: Milton Goldsmith’s Album, Part XVI: His Beloved Sister and Fellow Author, Emily | Brotmanblog: A Family Journey
Pingback: Milton Goldsmith’s Album, Part XVII: The Contrasting Lives of His Sisters Rose and Estella | Brotmanblog: A Family Journey
Pingback: The Things You Can’t Learn from Genealogy Records Alone: Milton Goldsmith’s Family Album, Part XVIII | Brotmanblog: A Family Journey